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Publications:  Dr Guy Westwell

WESTWELL GR(2017). Acts of redemption and 'The Falling Man' photograph in post-9/11 US cinema. American Cinema in the Shadow of 9/11, Editors: McSweeney, T, Edinburgh University Press (Edinburgh),
WESTWELL GR, Hicks J, Saxton E(2016). Rising Flags, Falling Soldiers: Film, Icons and Political Violence. Screen (Oxford)
WESTWELL GR(2016). ‘Flag-Raising on Iwo Jima’ (1945) and the Hollywood war film. Screen (Oxford)
WESTWELL GR(2014). Parallel Lines: Post-9/11 American Cinema. Wallflower Press
Kuhn A, Westwell G(2012). A Dictionary of Film Studies. OUP Oxford
WESTWELL G(2012). In country: narrating the Iraq war in contemporary US cinema. Companion to the Historical Film, Editors: Rosenstone, R, Parvulescu, C, Wiley-Blackwell
Westwell G(2011). Armadillo. SIGHT SOUND vol. 21, (6) 56-56.
Westwell G(2011). Accidental Napalm Attack and Hegemonic Visions of America's War in Vietnam. CRITICAL STUDIES IN MEDIA COMMUNICATION vol. 28, (5) 407-423.
WESTWELL G(2011). In country: mapping the Iraq war in recent Hollywood combat movies. Screens of Terror: Representations of War and Terrorism in Film and Television Since 9/11, Editors: Hammond, P, Abramis Academic (Suffolk),
WESTWELL GR(2011). Regarding the pain of others: scenarios of obligation in post-9/11 cinema. Journal of American Studies vol. 45, (4) 815-834.
Westwell G(2010). Restrepo. SIGHT SOUND vol. 20, (11) 72-+.
Westwell G(2010). Winter in Wartime. SIGHT SOUND vol. 20, (3) 82-82.
WESTWELL G(2010). Book review of Still Moving: Between Cinema and Photography. Karen Beckman and Jean Ma, eds. Durham, NC and London: Duke University Press, 2008. Modernism/modernity vol. 17, (1) 266-268.
Westwell G(2009). The Hurt Locker. SIGHT SOUND vol. 19, (9) 67-68.
Westwell G(2009). Public Enemies. SIGHT SOUND vol. 19, (8) 74-74.
Westwell G(2009). Max Manus Man of War. SIGHT SOUND vol. 19, (7) 72-72.
Westwell G(2008). 'Redacted'. SIGHT SOUND vol. 18, (5) 79-80.
Westwell G(2008). 'Stop-loss'. SIGHT SOUND vol. 18, (5) 87-88.
Westwell G(2008). 'Intimate enemies'. SIGHT SOUND vol. 18, (3) 70-71.
Jaafar A, Westwell G(2008). Casualties of war (Brian De Palma, Nick Broomfield, Paul Haggis). SIGHT SOUND vol. 18, (2) 16-+.
Westwell G(2008). Not so candid cameras (Spanish-American War, 1898-99, World War I, 1914-18, World War II, 1939-45, Vietnam, 1964-73, Gulf War, 1990-91, Afghanistan, 2001-/Iraq, 2003). SIGHT SOUND vol. 18, (2) 20-21.
WESTWELL G(2008). One image begets another: a comparative analysis of Flag-raising on Iwo Jima and Ground Zero Spirit. Journal of War and Culture Studies vol. 1, (3) 325-340.
Westwell G(2007). Critical approaches to the history film - A field in search of a methodology (Robert Rosenstone). RETHINK HIST vol. 11, (4) 577-588.
WESTWELL GR(2007). Vietnam home movies. The Image and the Witness: Trauma, Memory and Visual Culture, Editors: Guerin, F, Hallas, R, Wallflower Press (London),
WESTWELL GR(2006). War Cinema: Hollywood on the Front Line. Wallflower Press (London),
Westwell G(2005). The 'take'. SIGHT SOUND vol. 15, (7) 76-+.
Westwell G(2004). Uncovered: The War on Iraq. SIGHT SOUND vol. 14, (12) 68-+.
Westwell G(2004). 'Goldfish Memory'. SIGHT SOUND vol. 14, (11) 52-52.
Westwell G(2004). 'Man on Fire'. SIGHT SOUND vol. 14, (11) 59-59.
Westwell G(2004). 'Silent Grace'. SIGHT SOUND vol. 14, (3) 60-60.
Westwell G(2003). 'Legally Blonde 2, Red White & Blonde'. SIGHT SOUND vol. 13, (9) 55-56.
Westwell G(2003). 'Basic'. SIGHT SOUND vol. 13, (8) 36-37.
Westwell G(2003). 'Buffalo Soldiers'. SIGHT SOUND vol. 13, (8) 40-41.
Westwell G(2003). Antwone Fisher. SIGHT SOUND vol. 13, (6) 36-36.
Westwell G(2003). 'Sweet Home Alabama'. SIGHT SOUND vol. 13, (1) 53-54.
Westwell G(2002). 'Slap Her, She's French!'. SIGHT SOUND vol. 12, (11) 56-+.
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