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Publications:  Dr Catherine Silverstone

SILVERSTONE C(2018). Rev. of Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015 by Sarah French. Modern Drama vol. 61, (3) 463-465.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/43783
SILVERSTONE C (2017). ‘Survival as Legacy: Eulogy for The Sissy’s Progress.’ Museum of the Sissy. 'Where 4 Roads Meet: Death and the Sissy' by Nando Messias. Toynbee Studios, London, 12 October 2017. Notes: This text was also displayed as part of the 'Museum of the Sissy' that accompanied Nando Messias's performance 'Where 4 Roads Meet: Death and the Sissy' at Toynbee Studios, London, 12 October 2017.,
Publisher URL
SILVERSTONE C(2015). Review of Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania by Diana Looser. Theatre Annual vol. 68, 101-103.
SILVERSTONE C(2015). Image Containers: Julia Bardsley’s media series. ‘u’ see the image of her ‘i’: Pinhole Photographs by Julia Bardsley, Blurb
SILVERSTONE C(2015). Lois Performs in Aotearoa New Zealand. The Only Way Home is Through the Show: The Performance Work of Lois Weaver, Editors: Weaver, L, Harvie, J, Live Art Development Agency and Intellect (London and Bristol),
SILVERSTONE C(2015). Textual Editing. Contemporary Theatre Review vol. 25, (1) 64-67.
10.1080/10486801.2015.992244
Greenblatt S, Cohen W, Gossett S, Maus KE, McMullan G, Silverstone C (2015). Titus Andronicus in The Norton Shakespeare. W.W. Norton pp. 491-554. Medium: Book & digital, Notes: Silverstone edited Q1 (print and digital) and F (digital only) of Titus Andronicus and authored the textual introduction and comments; Maus wrote the introduction, glosses and notes.,
SILVERSTONE C(2014). Editorial: Derek Jarman and “the Renaissance”. Shakespeare Bulletin: a journal of performance, criticism, and scholarship vol. 32, (3) 329-336.
10.1353/shb.2014.0043
SILVERSTONE C, Walsh F(2014). Editorial: On Affirmation. Performance Research: a journal of the performing arts vol. 19, (2) 1-3.
10.1080/13528165.2014.928511
SILVERSTONE C(2014). Image Containers: Julia Bardsley’s media series. ‘u’ see the image of her ‘i’: Pinhole Photographs by Julia Bardsley, Blurb
SILVERSTONE C(2014). Remembering Derek Jarman: Death, Legacy, and Friendship. Shakespeare Bulletin: a journal of performance, criticism, and scholarship vol. 32, (3) 451-470.
10.1353/shb.2014.0045
SILVERSTONE C(2014). Review of Contemporary British Queer Performance by Stephen Greer. Contemporary Theatre Review vol. 24, (1) 127-128.
10.1080/10486801.2013.864065
SILVERSTONE C (2014). Rubén Szuchmacher interviewed by Catherine Silverstone. vol. 7, is. 2, pp. 257-269.
SILVERSTONE CE(2013). Duckie's Gay Shame: Critiquing Pride and Selling Shame in Club Performance. Critical Live Art: Contemporary Histories of Performance in the UK, Editors: Johnson, D, Routledge (Abingdon),
SILVERSTONE C(2013). Festival Showcasing and Cultural Regeneration: Aotearoa New Zealand, Shakespeare’s Globe and Ngākau Toa’s A Toroihi rāua ko Kāhira (Troilus and Cressida) in Te Reo Māori. Shakespeare Beyond English: A Global Experiment, Editors: Bennett, S, Carson, C, Cambridge University Press (Cambridge),
SILVERSTONE C(2013). Review of Eroticism and Death in Theatre and Performance edited by Karoline Gritzner. Contemporary Theatre Review vol. 23, (2)
10.1080/10486801.2012.722806
SILVERSTONE C(2013). Shakespeare, Cinema and Queer Adolescents: Unhappy Endings and Heartfelt Conclusions. Shakespeare vol. N/A, Article N/A, 1-19.
10.1080/17450918.2013.807297
SILVERSTONE C(2012). Duckie’s Gay Shame: Critiquing Pride and Selling Shame in Club Performance. Contemporary Theatre Review vol. 22, (1) 62-78.
10.1080/10486801.2011.645234
SILVERSTONE C(2012). Review of Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations edited by Melissa Croteau and Carolyn Jess-Cooke. Early Theatre: a journal associated with the Records of Early English Drama vol. 15, (1) 215-217.
SILVERSTONE C(2011). Sexing Death: Giuseppe Patroni Griffi’s 'Tis Pity She’s a Whore. Shakespeare Bulletin: a journal of performance, criticism, and scholarship vol. 29, (4) 559-572.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7520
Silverstone C(2011). Shakespeare, Trauma and Contemporary Performance. Routledge (New York),
SILVERSTONE C(2010). Fatal Attraction: Desire, Anatomy and Death in 'Tis Pity She's a Whore. 'Tis Pity She's a Whore: A Critical Guide, Editors: Hopkins, L, Continuum (London),
Silverstone C(2010). Review of Shakespeare’s Othello (directed by Barrie Rutter for Northern Broadsides and West Yorkshire Playhouse) at Trafalgar Studios (Studio 1), London, 2 December 2009. Shakespeare vol. 6, (2) 263-266.
10.1080/17450911003790307
SILVERSTONE C(2010). Review of Violence Against Women in Early Modern Performance: Invisible Acts by Kim Solga. Early Theatre: a journal associated with the Records of Early English Drama vol. 13, (1) 180-183.
SILVERSTONE C(2009). 'Honour the real thing': Shakespeare, Trauma and Titus Andronicus in South Africa. Shakespeare Survey, Editors: Holland, P, vol. 62,
SILVERSTONE C(2008). Review of Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas by Christopher B. Balme. Contemporary Theatre Review vol. 18, (2) 261-262.
10.1080/104868008019112499
SILVERSTONE C(2007). 'It's not about gender': Cross-gendered casting in Deborah Warner's Richard II. Women: A Cultural Review vol. 18, (2) 199-212.
10.1080/09574040701400288
SILVERSTONE C(2007). Afterword: Ending Tragedy. Tragedy in Transition, Editors: Brown, SA, Silverstone, C, Blackwell (Oxford),
BROWN S, SILVERSTONE C(2007). Tragedy in Transition. Editors: Silverstone, C, Brown, SA, Blackwell (Oxford),
Silverstone C(2006). Performing early modern trauma from Shakespeare to Milton. REV ENGL STUD vol. 57, (232) 801-803.
10.1093/res/hgl097
SILVERSTONE C(2006). Speaking Maori Shakespeare: The Maori Merchant of Venice and the Legacy of Colonisation. Screening Shakespeare in the Twenty-First Century, Editors: Burnett, Thornton, M, Wray, R, Edinburgh University Press (Edinburgh),
Silverstone C(2005). Shakespeare live: reproducing Shakespeare at the 'new' globe theatre. TEXTUAL PRACT vol. 19, (1) 31-+.
10.1080/0950236042000329636
SILVERSTONE C(2003). Othello's Travels in New Zealand: Shakespeare, Race and National Identity. Remaking Shakespeare: Performance Across Media, Genres and Cultures, Editors: Aebischer, Pascale, Esche, EJ, Wheale, N et al., Palgrave (Basingstoke),
SILVERSTONE C(2002). Exposing Shakespeare: Introducing English Studies at University. For All Time? Critical Issues in Teaching Shakespeare, Editors: Skrebels, P, Hoven, SVD, Wakefield Press (Kent Town, South Australia),
SILVERSTONE C(2002). Lauris Edmond. Encyclopedia of Life Writing, Editors: Jolly, M, Fitzroy Dearborn (London),
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