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Publications:  Prof Dominic Johnson

Johnson D(2020). Rudimentary Things: Becoming an Object in the Performances of Skip Arnold. Art History vol. 43, (3) 538-563.
Johnson D(2019). Dead Star Mileage: Jack Smith’s Fandom for Maria Montez. Fandom as Methodology A Sourcebook for Artists and Writers, Editors: Grant, C, Random Love, K, Goldsmiths Press (London),
Johnson D(2019). How Does Performance Disrupt Institutional Spaces?. Thinking Through Theatre and Performance, Methuen Drama (London),
Johnson D(2019). Unlimited Action The Performance of Extremity in the 1970s.
Johnson D(2018). Impossible Things: The Life Art of Anne Bean in the 1970s. Anne Bean: Self Etc, Editors: La Frenais, R, Intellect (UK) (Bristol),
Johnson D(2017). File Under COUM: Art on Trial in Genesis P-Orridge’s Mail Action. London Art Worlds Mobile, Contingent, and Ephemeral Networks, 1960–1980, Editors: Applin, J, Tobin, A, Spencer, C, Penn State Press (University Park),
JOHNSON DF(2017). Naked Hitchhikers: The Unknown Photography of William A. Rhoads. Porn Studies vol. 4, (1) 67-87.
Johnson D(2016). “Personality Crisis? Honey, I was Born with One”: Lydia Lunch Interviewed. Post-Punk: Then and Now, Editors: Butt, G, Fisher, M, Eshun, K, Repeater (London),
Heddon D, Johnson D(2016). It's All Allowed The Performances of Adrian Howells. Intellect (UK)
Johnson D(2015). The Art of Living An Oral History of Performance Art. Palgrave Macmillan
JOHNSON DF(2015). ‘Transition Pieces: The Photography of Del LaGrace Volcano’. Otherwise: Imagining Queer Feminist Art Histories, Editors: Jones, A, Silver, E, Manchester University Press (Manchester and New York),
Dominic Johnson(2014). Modern Death: Jack Smith, Fred Herko, and Paul Thek. Criticism vol. 56, (2) 211-211.
JOHNSON D(2013). Pleading in the Blood: The Art and Performances of Ron Athey. Editors: Johnson, DF, Intellect and Live Art Development Agency (Bristol, Chicago and London),
JOHNSON DF(2013). Crocodile Tears: A Counter-Archive of Glam Aesthetics. Glam: The Performance of Style, Editors: PIH, D, Tate Publishing (London),
JOHNSON DF(2013). Carrying Her Liver in a Shopping Cart: An Interview with Bruce Benderson. Social Text (113)
Johnson D(2013). Critical Live Art: Contemporary Histories of Performance in the UK. Routledge (Abingdon),
JOHNSON DF(2012). Intimacy and Risk in Live Art. Histories and Practices of Live Art, Editors: Heddon, D, Klein, J, Palgrave Macmillan (Basingstoke and New York),
JOHNSON DF(2012). Ecstatic Intervals: Performance in a Continuum of Intimacy. Intimacy Across Visceral and Digital Performance, Editors: Chatzichristodoulou, M, Zerihan, R, Palgrave Macmillan (Houndmills),
JOHNSON DF(2012). 'Introduction: The What, When and Where of Live Art'. Contemporary Theatre Review vol. 22, (1) 4-16.
JOHNSON DF(2012). Glorious Catastrophe: Jack Smith, Performance and Visual Culture. Manchester University Press (Manchester and New York),
JOHNSON DF(2012). Positive Surrender: An Interview with BREYER P-ORRIDGE. Contemporary Theatre Review vol. 22, (1) 134-145.
JOHNSON DF(2012). Theatre & the Visual. Palgrave Macmillan (Basingstoke and New York),
Johnson D(2011). Male Trouble: Masculinity and the Performance of Crisis. THEATRE RES INT vol. 36, (2) 185-186.
Johnson D(2010). Visuality in the Theatre: The Locus of Looking. THEATRE RES INT vol. 35, (3) 305-306.
Johnson D(2010). E Hate Death: Performance After Genesis P-Orridge. Contemporary Theatre Review vol. 20, (2) 246-249.
JOHNSON DF(2010). Psychic Weight: The Pains and Pleasures of Performance. ORLAN: A Hybrid Body of Artworks, Editors: DONGER, S, ORLAN, SHEPHERD, S, Routledge (London & New York),
Johnson DF(2010). Ron Athey’s Visions of Excess: Performance After Georges Bataille. Papers of Surrealism (8)
Johnson D(2010). The Skin of the Theatre: An Interview with Julia Bardsley. CONTEMP THEATRE REV vol. 20, (3) 340-+.
JOHNSON D(2009). False Messiah: Oreet Ashery's Saint/s of Whitstable. Dancing with Men: Interactive performances, interventions and other artworks, Editors: Ashery, O, Live Art Development Agency (London),
Johnson D(2009). Jack Smith's Rehearsals for the Destruction of Atlantis: 'Exotic' Ritual and Apocalyptic Tone. CONTEMP THEATRE REV vol. 19, (2) 164-+.
Johnson D(2008). Perverse Martyrologies: An Interview with Ron Athey. CONTEMP THEATRE REV vol. 18, (4) 503-513.
Johnson D(2008). Theatre, Intimacy & Engagement: The Last Human Venue. CONTEMP THEATRE REV vol. 18, (4) 514-515.
JOHNSON D(2007). The Wound Kept Open: Jack Smith, Queer Performance and Cultural Failure. Women and Performance vol. 16, (4) Article 1, 3-18.
JOHNSON D(2007). It Only Hurts Because It’s True: Recent Live Art and Performance in the UK. Western European Stages vol. 19, (1) 9-14.
JOHNSON D(2007). Manuel Vason: Encounters. Editors: JOHNSON, D, Arnolfini Gallery Ltd (Bristol),
JOHNSON D (2007). The Wound Kept Open: Jack Smith, Queer Performance and Cultural Failure. vol. 17, is. 1, pp. 3-18. Routledge (United States), Abstract: java.sql.Clob org.hibernate.engine.jdbc.WrappedClob ,
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JOHNSON D(2006). Franko B: Blinded by Love. Editors: Johnson, DF, Damiani & Galleria Pack (Bologna),
JOHNSON DF, BREYER P-ORRIDGE GENESIS, BREYER P-ORRIDGE LADYJAYE(2005). Why We Are Breaking Sex: Excerpts from a Dialogue with Dominic Johnson. Everything You Know About Sex Is Wrong: Extremes of Human Sexuality, Disinformation Press (New York),
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