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Publications:  Dr Simon Dixon

Di Giorgi B, Dixon S, Zanoni M et al. (2017) . A data-driven model of tonal chord sequence complexity.IEEE/ACM Transactions on Audio, Speech, and Language Processing1-1.
10.1109/TASLP.2017.2756443
http://qmro.qmul.ac.uk/xmlui/handle/123456789/28264
NAKAMURA E, Yoshii K, Dixon S (2017) . Note Value Recognition for Piano Transcription Using Markov Random Fields.IEEE/ACM Transactions on Audio, Speech, and Language Processing1-1.
10.1109/TASLP.2017.2722103
http://qmro.qmul.ac.uk/xmlui/handle/123456789/25265
Quinton E, Dixon S, Sandler M et al. (2017) . TRACKING METRICAL STRUCTURE CHANGES WITH SPARSE-NMF. Conference: 2017 IEEE International Conference on Acoustics, Speech and Signal Processing
10.1109/ICASSP.2017.7952114
http://qmro.qmul.ac.uk/xmlui/handle/123456789/19780
Panteli M, Bittner R, Bello JP et al. (2017) . Towards the characterization of singing styles in world music. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. Conference: IEEE International Conference on Acoustics, Speech and Signal Processing636-640.
10.1109/ICASSP.2017.7952233
Mehrabi A, Harte C, Baume C et al. (2017) . Music thumbnailing for radio podcasts: A listener evaluation.AES: Journal of the Audio Engineering Society vol. 65, (6) 474-481.
10.17743/jaes.2017.0011
http://qmro.qmul.ac.uk/xmlui/handle/123456789/25264
MEHRABI A, Dixon S, Sandler (2017) . Vocal imitation of synthesised sounds varying in pitch, loudness and spectral centroid.Journal of the Acoustical Society of America vol. 141, (2) 783-796.
10.1121/1.4974825
http://qmro.qmul.ac.uk/xmlui/handle/123456789/19492
SANDLER MB, quinton E, o'hanlon K et al. (2016) . Automatic Detection of Metrical Structure Changes. DMRN+11: Digital Music Research Network Workshop Proceedings 2016. Conference: DMRN+11: Digital Music Research Network One-day Workshop 2016 (Centre for Digital Music, Queen Mary University of London) from: 20/12/2016 to: 20/12/2016,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/19348
MISHRA S, Sturm B, Dixon S (2016) . Explaining Predictions of Machine Listening Systems. DMRN+11: Digital Music Research Network Workshop Proceedings 2016. Conference: DMRN+11: Digital Music Research Network One-day Workshop 2016 (Centre for Digital Music, Queen Mary University of London) from: 20/12/2016 to: 20/12/2016,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/19395
Wang S, Ewert S, Dixon S (2016) . Robust and efficient joint alignment of multiple musical performances.IEEE/ACM Transactions on Audio Speech and Language Processing vol. 24, (11) 2132-2145.
10.1109/TASLP.2016.2598318
http://qmro.qmul.ac.uk/xmlui/handle/123456789/15523
MEHRABI A, Dixon S, Sandler M (2016) . Towards a comprehensive dataset of vocal imitations of drum sounds. Conference: 2nd AES Workshop on Intelligent Music Production
http://qmro.qmul.ac.uk/xmlui/handle/123456789/18075
Cheng T, Mauch M, Benetos E et al. (2016) . An attack/decay model for piano transcription. Conference: 17th International Society for Music Information Retrieval Conference (New York, USA) from: 07/08/2016 to: 11/08/2016, 584-590.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/12637
Panteli M, Benetos E, Dixon S (2016) . Learning a feature space for similarity in world music. Conference: 17th International Society for Music Information Retrieval Conference (New York, USA) from: 07/08/2016 to: 11/08/2016, 538-544.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/12616
Panteli M, Benetos E, Dixon S (2016) . Automatic detection of outliers in world music collections. Conference: Fourth International Conference on Analytical Approaches to World Music (AAWM 2016) (New York, USA) from: 11/06/2016 to: 08/06/2016,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/11743
Sigtia S, Benetos E, Dixon S (2016) . An End-to-End Neural Network for Polyphonic Piano Music Transcription.IEEE/ACM Transactions on Audio, Speech, and Language Processing vol. 24, (5) 927-939.
10.1109/TASLP.2016.2533858
http://qmro.qmul.ac.uk/xmlui/handle/123456789/17623
QUINTON E, Sandler M, Dixon S (2016) . ESTIMATION OF THE RELIABILITY OF MULTIPLE RHYTHM FEATURES EXTRACTION FROM A SINGLE DESCRIPTOR.IEEE International Conference on Acoustics Speech and Signal Processing
10.1109/ICASSP.2016.7471676
Song Y, Dixon S, Pearce MT et al. (2016) . Perceived and Induced Emotion Responses to Popular Music: Categorical and Dimensional Models.Music Perception vol. 33, (4) 472-492.
10.1525/MP.2016.33.4.472
http://qmro.qmul.ac.uk/xmlui/handle/123456789/11214
Cheng T, Dixon S, Mauch M (2015) . Improving piano note tracking by HMM smoothing. 2015 23rd European Signal Processing Conference, EUSIPCO 2015. 2009-2013.
10.1109/EUSIPCO.2015.7362736
MOHAMAD Z, Dixon S, Harte C (2015) . Digitally Moving an Electric Guitar Pickup. Conference: International Conference on Digital Audio Effects (DAFx-15) (Trondheim, Norway) from: 30/11/2015 to: 03/12/2015, 284-291.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/19417
MEHRABI A, Dixon S, Sandler M (2015) . VOCAL IMITATION OF PITCH, SPECTRAL SHAPE AND LOUDNESS ENVELOPES. Conference: International Society for Music Information Retrieval Conference (Malaga, Spain) from: 25/10/2015 to: 30/10/2015,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/22177
Foster P, Dixon S, Klapuri A (2015) . Identifying Cover Songs Using Information-Theoretic Measures of Similarity.IEEE Transactions on Audio, Speech and Language Processing vol. 23, (6) 993-1005.
10.1109/TASLP.2015.2416655
http://qmro.qmul.ac.uk/xmlui/handle/123456789/11224
Sigtia S, Benetos E, Boulanger-Lewandowski N et al. (2015) . A Hybrid Recurrent Neural Network for Music Transcription. IEEE International Conference on Acoustics Speech and Signal Processing. Conference: 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) (Brisbane, Australia) from: 19/04/2015 to: 24/04/2015, 2061-2065.
10.1109/ICASSP.2015.7178333
http://qmro.qmul.ac.uk/xmlui/handle/123456789/9420
Tubb R, Dixon S (2015) . An Evaluation of Multidimensional Controllers for Sound Design Tasks. Proceedings of the SIGCHI Conference on Human Factors in Computing Systems.
10.1145/2702123.2702499
Dai J, Mauch M, Dixon S (2015) . Analysis of Intonation Trajectories in Solo Singing. 16th International Society for Music Information Retrieval Conference. 420-426.
Sigtia S, Boulanger-Lewandowski N, Dixon S (2015) . Audio Chord Recognition with a Hybrid Recurrent Neural Network. 16th International Society for Music Information Retrieval Conference. 127-133.
Wilmering T, Bechhofer S, Dixon S et al. (2015) . Automating Annotation of Media with Linked Data Workflows. Third International Workshop on Linked Media (LiME 2015), Proceedings of the 24th International Conference on World Wide Web Companion. 737-738.
10.1145/2740908.2742913
Osmalskyj J, Foster P, Dixon S et al. (2015) . Combining Features for Cover Song Identification. 16th International Society for Music Information Retrieval Conference. 462-468.
Wang S, Ewert S, Dixon S (2015) . Compensating for Asynchronies between Musical Voices in Score-Performance Alignment. IEEE International Conference on Acoustics Speech and Signal Processing.
10.1109/ICASSP.2015.7178037
http://qmro.qmul.ac.uk/xmlui/handle/123456789/12170
Mauch M, Cannam C, Bittner R et al. (2015) . Computer-aided Melody Note Transcription Using the Tony Software: Accuracy and Efficiency. First International Conference on Technologies for Music Notation and Representation (TENOR 2015). 23-30.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/7247
Song Y, Dixon S (2015) . How Well Can a Music Emotion Recognition System Predict the Emotional Responses of Participants?. 12th International Conference on Sound and Music Computing. 387-392.
Cheng T, Dixon S, Mauch M (2015) . Modelling the Decay of Piano Sounds. IEEE International Conference on Acoustics Speech and Signal Processing. Conference: IEEE International Conference on Acoustics Speech and Signal Processing594-598.
10.1109/ICASSP.2015.7178038
Tidhar D, Dixon S, Benetos E et al. (2014) . The temperament police.Early Music vol. 42, (4) 579-590.
10.1093/em/cau101
http://qmro.qmul.ac.uk/xmlui/handle/123456789/9419
Weyde T, Cottrell S, Dykes J et al. (2014) . Big Data for Musicology. Editors: Page, K, Fields, B, Conference: 1st International Digital Libraries for Musicology workshop (London, UK) from: 12/09/2014 to: 12/09/2014,
10.1145/2660168.2660187
http://qmro.qmul.ac.uk/xmlui/handle/123456789/9417
Mauch M, Frieler K, Dixon S (2014) . Intonation in unaccompanied singing: accuracy, drift, and a model of reference pitch memory.J Acoust Soc Am vol. 136, (1) 401-411.
10.1121/1.4881915
http://qmro.qmul.ac.uk/xmlui/handle/123456789/6063
Cheng T, Dixon S, Mauch M (2014) . A Comparison of Extended Source-Filter Models for Musical Signal Reconstruction. 17th International Conference on Digital Audio Effects.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/8152
Tubb R, Dixon S (2014) . A Four Strategy Model of Creative Parameter Space Interaction. 5th International Conference on Computational Creativity.
Tubb R, Dixon S (2014) . A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves.COMPUTER MUSIC JOURNAL vol. 38, (3) 23-33.
10.1162/COMJ_a_00254
http://qmro.qmul.ac.uk/xmlui/handle/123456789/7973
Weyde T, Cottrell S, Benetos E et al. (2014) . Digital Music Lab - A Framework for Analysing Big Music Data. http://ecda2014.eu/wp-content/uploads/2014/06/bookofabstracts.pdf. Conference: European Conference on Data Analysis (ECDA) (Bremen)
10.1109/EUSIPCO.2016.7760422
Thompson L, Mauch M, Dixon S (2014) . Drum Transcription via Classification of Bar-level Rhythmic Patterns. Conference: 15th International Society for Music Information Retrieval Conference (Taipei, Taiwan) 187-192.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/7250
Sigtia S, Dixon S (2014) . Improved music feature learning with deep neural networks. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. 6959-6963.
10.1109/ICASSP.2014.6854949
http://qmro.qmul.ac.uk/xmlui/handle/123456789/10716
Stowell D, Dixon S (2014) . Integration of informal music technologies in secondary school music lessons.British Journal of Music Education vol. 31, (1) 19-39.
10.1017/S026505171300020X
http://qmro.qmul.ac.uk/xmlui/handle/123456789/9954
Sigtia S, Benetos E, Cherla S et al. (2014) . RNN-based Music Language Models for Improving Automatic Music Transcription. 15th International Society for Music Information Retrieval Conference. 53-58.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/9415
Wang S, Ewert S, Dixon S (2014) . Robust Joint Alignment of Multiple Versions of a Piece of Music. 15th International Society for Music Information Retrieval Conference. 83-88.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/12554
Foster P, Mauch M, Dixon S (2014) . Sequential Complexity as a Descriptor for Musical Similarity.IEEE Transactions on Audio, Speech, and Language Processing vol. 22, (12) 1965-1977.
10.1109/TASLP.2014.2357676
http://qmro.qmul.ac.uk/xmlui/handle/123456789/7328
BARTHET M, Benetos E, Cottrell S et al. (2014) . The DML Research Project: Digital Music Lab - Analysing Big Music Data. Presented at: Workshop on "Big Data: Challenges and Applications", Imperial College, London,
Tubb R, Dixon S (2014) . The Divergent Interface: Supporting Creative Exploration of Parameter Spaces. 14th International Conference on New Interfaces for Musical Expression.
Weiss C, Mauch M, Dixon S (2014) . Timbre-invariant Audio Features for Style Analysis of Classical Music. Joint 40th International Computer Music Conference and 11th Sound and Music Computing Conference.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/7518
Kirchhoff H, Badeau R, Dixon S (2014) . Towards complex matrix decomposition of spectrograms based on the relative phase offsets of harmonic sounds. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. 1572-1576.
10.1109/ICASSP.2014.6853862
http://qmro.qmul.ac.uk/xmlui/handle/123456789/8028
Mauch M, Dixon S (2014) . pYIN: a Fundamental Frequency Estimator Using Probabilistic Threshold Distributions. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2014). 659-663.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/6040
Benetos E, Dixon S, Giannoulis D et al. (2013) . Automatic music transcription: Challenges and future directions.Journal of Intelligent Information Systems vol. 41, (3) 407-434.
10.1007/s10844-013-0258-3
http://qmro.qmul.ac.uk/xmlui/handle/123456789/7938
Foster P, Dixon S, Klapuri A (2013) . Identification of cover songs using information theoretic measures of similarity. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. 739-743.
10.1109/ICASSP.2013.6637746
http://qmro.qmul.ac.uk/xmlui/handle/123456789/8007
Kirchhoff H, Dixon S, Klapuri A (2013) . Missing template estimation for user-assisted music transcription.ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings26-30.
10.1109/ICASSP.2013.6637602
http://qmro.qmul.ac.uk/xmlui/handle/123456789/11223
Serra X, Magas M, Benetos E et al. (2013) . Roadmap for Music Information ReSearch. Editors: Peeters, G, The MIReS Consortium
Chudy M, Pe¿rez Carrillo A, Dixon S (2013) . On the relation between gesture, tone production, and perception in classical cello performance.J Acoust Soc Am vol. 133, (5)
10.1121/1.4805316
Benetos E, Dixon S (2013) . Multiple-instrument polyphonic music transcription using a temporally constrained shift-invariant model.Journal of the Acoustical Society of America vol. 133, (3) 1727-1741.
10.1121/1.4790351
Allik A, Fazekas G, Dixon S et al. (2013) . A Shared Vocabulary for Audio Features. SEMANTIC WEB: ESWC 2013 SATELLITE EVENTS. vol. 7955, 285-286.
10.1007/978-3-642-41242-4_44
Allik A, Fazekas G, Dixon S et al. (2013) . Facilitating Music Information Research with Shared Open Vocabularies. SEMANTIC WEB: ESWC 2013 SATELLITE EVENTS. vol. 7955, 178-183.
10.1007/978-3-642-41242-4_20
Terrell MJ, Fazekas G, Simpson AJR et al. (2012) . Listening level changes music similarity. Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012. 487-492.
BENETOS E, Dixon S, Giannoulis D et al. (2012) . Automatic Music Transcription: Breaking the Glass Ceiling. Editors: Gouyon, F, Herrera, P, Martins, LG, Müller, M et al., Conference: 13th International Society for Music Information Retrieval Conference (ISMIR 2012) (Porto, Portugal) from: 08/10/2012 to: 12/10/2012, 379-384.
Benetos E, Dixon S (2012) . Temporally-constrained convolutive probabilistic latent component analysis for multi-pitch detection. International Conference on Latent Variable Analysis and Signal Separation. 364-371.
10.1007/978-3-642-28551-6_45
Foster P, Klapuri A, Dixon S (2012) . A Method for Identifying Repetition Structure in Musical Audio Based on Time Series Prediction. Conference: 20th European Signal Processing Conference (Bucharest) from: 27/08/2012 to: 31/08/2012, 1299-1303.
Benetos E, Dixon S (2012) . A Shift-Invariant Latent Variable Model for Automatic Music Transcription.COMPUTER MUSIC JOURNAL vol. 36, (4) 81-94.
10.1162/COMJ-a-00146
Arzt A, Widmer G, Dixon S (2012) . ADAPTIVE DISTANCE NORMALIZATION FOR REAL-TIME MUSIC TRACKING. 2012 PROCEEDINGS OF THE 20TH EUROPEAN SIGNAL PROCESSING CONFERENCE (EUSIPCO). 2689-2693.
Benetos E, Lagrange M, Dixon S (2012) . Characterisation of acoustic scenes using a temporally-constrained shift-invariant model. 15th International Conference on Digital Audio Effects, DAFx 2012 Proceedings.
Dixon S, Mauch M, Tidhar D (2012) . Estimation of harpsichord inharmonicity and temperament from musical recordings.J Acoust Soc Am vol. 131, (1) 878-887.
10.1121/1.3651238
Song Y, Dixon S, Pearce M (2012) . Evaluation of musical features for emotion classification. Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012. 523-528.
Ganseman J, Scheunders P, Dixon S (2012) . IMPROVING PLCA-BASED SCORE-INFORMED SOURCE SEPARATION WITH INVERTIBLE CONSTANT-Q TRANSFORMS. 2012 PROCEEDINGS OF THE 20TH EUROPEAN SIGNAL PROCESSING CONFERENCE (EUSIPCO). 2634-2638.
Benetos E, Klapuri A, Dixon S (2012) . SCORE-INFORMED TRANSCRIPTION FOR AUTOMATIC PIANO TUTORING. 2012 PROCEEDINGS OF THE 20TH EUROPEAN SIGNAL PROCESSING CONFERENCE (EUSIPCO). 2153-2157.
Kirchhoff H, Dixon S, Klapuri A (2012) . Shift-variant non-negative matrix deconvolution for music transcription. Acoustics, Speech and Signal Processing (ICASSP), 2012 IEEE International Conference. Conference: IEEE International Conference on Acoustics, Speech, and Signal Processing (Kyoto, Japan) from: 25/03/2012 to: 30/03/2012, 125-128.
10.1109/ICASSP.2012.6287833
Benetos E, Dixon S (2011) . Joint multi-pitch detection using harmonic envelope estimation for polyphonic music transcription.IEEE Journal on Selected Topics in Signal Processing vol. 5, (6) 1111-1123.
10.1109/JSTSP.2011.2162394
Mearns L, Benetos E, Dixon S (2011) . Automatically detecting key modulations in J.S. Bach chorale recordings. 8th Sound and Music Computing Conference. 25-32.
Benetos E, Dixon S (2011) . Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. Conference: 8th Sound and Music Computing Conference (Padova, Italy) from: 06/07/2011 to: 09/07/2011, 19-24.
Benetos E, Dixon S, IEEE (2011) . A TEMPORALLY-CONSTRAINED CONVOLUTIVE PROBABILISTIC MODEL FOR PITCH DETECTION. 2011 IEEE WORKSHOP ON APPLICATIONS OF SIGNAL PROCESSING TO AUDIO AND ACOUSTICS (WASPAA). 133-136.
10.1109/ASPAA.2011.6082270
Stowell D, Dixon S (2011) . MIR in school? Lessons from ethnographic observation of secondary school music classes. Proceedings of the 12th International Society for Music Information Retrieval (ISMIR) Conference. Conference: ISMIR 2011 (Miami, Florida, USA) from: 24/10/2011 to: 28/10/2011, 347-352.
Stowell D, Barthet M, Dixon S et al. (2011) . Musicology for the masses: Situating new audio technologies for musicology and music education. Proceedings of the Digital Economy All Hands Conference 2011. Conference: Digital Engagement 2011 (Newcastle) from: 15/11/2011 to: 17/11/2011,
Benetos E, Dixon S (2011) . Polyphonic music transcription using note onset and offset detection. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. 37-40.
10.1109/ICASSP.2011.5946322
Dixon S, Mauch M, Anglade A (2011) . Probabilistic and Logic-Based Modelling of Harmony.CMMR 2010 Post Symposium Proceedings, Editors: Kronland-Martinet, R, Ystad, S, Jensen, K, Aramaki, M et al., Springer (Heidelberg),
Macrae R, Neumann J, Anguera X et al. (2011) . Real-Time Synchronisation of Multimedia Streams in a Mobile Device. International Conference on Multimedia and Expo, Workshop on Advances in Music Information Research. 1-6.
Dixon S, Tidhar D, Benetos E (2011) . The temperament police: The truth, the ground truth, and nothing but the truth. Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011. Conference: 12th International Society for Music Information Retrieval Conference (Miami, Florida, USA) from: 24/10/2011 to: 28/10/2011, 281-286.
Benetos E, Dixon S (2010) . Multiple-F0 estimation of piano sounds exploiting spectral structure and temporal evolution. ISCA Tutorial and Research Workshop on Statistical and Perceptual Audition. 13-18.
Macrae R, Dixon S (2010) . A Guitar Tablature Score Follower. IEEE International Conference on Multimedia & Expo. Conference: IEEE International Conference on Multimedia & Expo (Spain) from: 21/06/2010 to: 24/06/2010, 725-726.
10.1109/ICME.2010.5582963
Macrae R, Dixon S (2010) . Accurate Real-Time Windowed Time Warping. 11th International Society for Music Information Retrieval Conference. Conference: International Society for Music Information Retrieval conference (Utrecht) from: 09/08/2010 to: 13/08/2010, 423-428.
Mauch M, Dixon S (2010) . Approximate Note Transcription for the Improved Identification of Difficult Chords. 11th International Society for Music Information Retrieval Conference. Conference: 11th International Society for Music Information Retrieval Conference (Utrecht) from: 09/08/2010 to: 13/08/2010, 135-140.
Mearns L, Dixon S (2010) . Characterisation of Composer Style Using High Level Musical Features.
Mearns L, Dixon S (2010) . Characterisation of Composer Style using High-Level Musical Features. Conference: 11th International Society for Music Information Retrieval (Utrecht) from: 09/08/2010 to: 13/08/2010,
Dixon S (2010) . Computational Modelling of Harmony. 7th International Symposium on Computer Music Modeling and Retrieval. Conference: International Symposium on Computer Music Modeling and Retrieval (Malaga, Spain) from: 21/06/2010 to: 24/06/2010,
Tidhar D, Mauch M, Dixon S (2010) . High Precision Frequency Estimation for Harpsichord Tuning Classification. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing. Conference: Acoustics Speech and Signal Processing (ICASSP), 2010 IEEE International Conference on (Dallas, Texas) from: 14/03/2010 to: 19/03/2010, 61-64.
10.1109/ICASSP.2010.5496213
Mearns L, Dixon S (2010) . How Do You Characterise Musical Style?. Third International Conference of Students of Systematic Musicology.
Anglade A, Benetos E, Mauch M et al. (2010) . Improving music genre classification using automatically induced harmony rules.Journal of New Music Research vol. 39, (4) 349-361.
10.1080/09298215.2010.525654
Jacobson K, Dixon S, Sandler M (2010) . LinkedBrainz: Providing the MusicBrainz Next Generation Schema as Linked Data. from: 2009http://musicbrainz.org/ Abstract: java.sql.Clob org.hibernate.engine.jdbc.WrappedClob java.io.Serializable , Notes: notes on rpject here: http://ismir2010.ismir.net/proceedings/late-breaking-demo-22.pdf,
Publisher URL
Benetos E, Dixon S (2010) . Multiple-F0 Estimation of Piano Sounds Using a Constant-Q Filterbank. 2010 Workshop on Statistical and Perceptual Audition (SAPA). Conference: ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition (Makuhari, Japan) from: 25/09/2010 to: 25/09/2010, 13-18.
Mauch M, Dixon S (2010) . Simultaneous Estimation of Chords and Musical Context from Audio.IEEE Transactions on Audio, Speech and Language Processing vol. 18, (6) 1280-1289.
10.1109/TASL.2009.2032947
Tidhar D, Fazekas G, Mauch M et al. (2010) . TempEst: Harpsichord Temperament Estimation in a Semantic-Web Environment.Journal of New Music Research vol. 39, Article 4, 327-336.
10.1080/09298215.2010.520720
Tidhar D, Fazekas G, Mauch M et al. (2010) . Temperament Estimation as an MIR Task.http://ismir2010.ismir.net/proceedings/late-breaking-demo-30.pdf , from: 09/08/2010 to: 13/08/2010, ISMIR (http://ismir2010.ismir.net/proceedings/late-breaking-demo-30.pdf), Abstract: java.sql.Clob org.hibernate.engine.jdbc.WrappedClob java.io.Serializable ,
Publisher URL
Chudy M, Dixon S (2010) . Towards Music Performer Recognition Using Timbre Features. Third International Conference of Students of Systematic Musicology.
Dixon S, Sandler M, d'Inverno M et al. (2010) . Towards a Distributed Research Environment for Music Informatics and Computational Musicology.J NEW MUSIC RES vol. 39, (4) 291-294.
10.1080/09298215.2010.545241
Anglade A, Dixon S (2009) . First-Order Logic Classification Models of Musical Genres Based on Harmony. 6th Sound and Music Computing Conference. 309–314-309–314.
Anglade A, Ramirez R, Dixon S (2009) . Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions. 10th International Conference on Music Information Retrieval. Conference: International Conference on Music Information Retrieval (Kobe, japan) from: 26/10/2009 to: 30/10/2009, 669-674.
Mauch M, Cannam C, Davies M et al. (2009) . OMRAS-2 Metadata Project 2009. Conference: 10th International Society for Music Information Retrieval Conference (ISMIR2009), Late-breaking session
Mauch M, Noland K, Dixon S (2009) . Using Musical Structure to Enhance Automatic Chord Transcription. 10th International Conference on Music Information Retrieval. Conference: International Society for Music Information Retrieval (Kobe, Japan) from: 26/10/2009 to: 30/10/2009, 231-236.
Goebl W, DIXON SE, DePoli G et al. (2008) . 'Sense' in Expressive Music Performance: Data Acquisition, Computational Studies and Models.Sound to Sense - Sense to Sound: A State of the Art in Sound and Music Computing, Editors: Polotti, P, Rocchesso, D,
Mauch M, Dixon S (2008) . A Discrete Mixture Model for Chord Labelling. 9th International Conference on Music Information Retrieval. Conference: International Conference on Music Information Retrieval (Philadelphia, Pennsylvania) from: 14/09/2008 to: 18/09/2008, 45-50.
Mauch M, Müllensiefen D, Dixon S et al. (2008) . Applying Tools from Natural Language Processing Analysis to Harmony: A Bottom Up Approach. Conference on Music, Language and the Mind.
Arzt A, Widmer G, Dixon S (2008) . Automatic Page Turning for Musicians via Real-Time Machine Listening. Proceedings of the 18th European Conference on Artificial Intelligence (ECAI 2008). Conference: European Conference on Artificial Intelligence (Patras, Greece) from: 21/07/2008 to: 25/07/2008,
10.3233/978-1-58603-891-5-241
Mauch M, Müllensiefen D, Dixon S et al. (2008) . Can Statistical Language Models be used for the Analysis of Harmonic Progressions?. International Conference on Music Perception and Cognition. Conference: International Conference on Music Perception and Cognition (Hokkaido, Japan) from: 25/08/2008 to: 29/08/2008,
Anglade A, Dixon S (2008) . Characterisation of Harmony with Inductive Logic Programming. 9th International Conference on Music Information Retrieval. Conference: International Conference on Music Information Retrieval (Philadelphia, Pennsylvania) from: 14/09/2008 to: 18/09/2008, 63-68.
Widmer G, DIXON SE, Knees P et al. (2008) . From Sound to 'Sense' via Feature Extraction and Machine Learning: Deriving High-Level Descriptors for Characterising Music.Sound to Sense - Sense to Sound: A State of the Art in Sound and Music Computing, Editors: Polotti, P, Rocchesso, D,
Macrae R, Dixon S (2008) . From Toy to Tutor: Note-Scroller is a Game to Teach Music. 8th International Conference on New Interfaces for Musical Expression.
Anglade A, Dixon S (2008) . Towards Logic-based Representations of Musical Harmony for Classification, Retrieval and Knowledge Discovery. International Workshop on Machine Learning and Music. Conference: International Workshop on Machine Learning and Music (Helsinki, Finland) from: 05/07/2008 to: 09/07/2008,
Mauch M, Dixon S, Harte C et al. (2007) . Discovering Chord Idioms Through Beatles and Real Book Songs. Proceedings of the 8th International Conference on Music Information Retrieval. 111–114-111–114.
Gouyon F, Dixon S, Widmer G (2007) . Evaluating low-level features for beat classification and tracking. 2007 IEEE International Conference on Acoustics, Speech, and Signal Processing, Vol IV, Pts 1-3. 1309-1312.
DIXON SE (2007) . Evaluation of the Audio Beat Tracking System BeatRoot.Journal of New Music Research vol. 36, (1) 39-50.
DIXON SE (2007) . Extraction of Musical Timing from Audio Recordings. Conference: CHARM 4 Symposium on Methods for Analysing Recordings 2007 [Invited]
DIXON SE, Bainbridge D, Typke R (2007) . Proceedings of the 8th International Conference on Music Information Retrieval (ISMIR07).Austrian Computer Society
DIXON SE (2007) . Tools for Analysis of Musical Expression. Conference: 19th International Congress on Acoustics, 2007 [Invited]
Gouyon F, Klapuri A, Dixon S et al. (2006) . An experimental comparison of audio tempo induction algorithms.IEEE T AUDIO SPEECH vol. 14, (5) 1832-1844.
10.1109/TSA.2005.858509
Dixon S, Goebl W, Cambouropoulos E (2006) . Perceptual smoothness of tempo in expressively performed music.MUSIC PERCEPT vol. 23, (3) 195-214.
10.1525/mp.2006.23.3.195
DIXON SE (2006) . Onset Detection Revisited. Conference: Proceedings of the 9th International Conference on Digital Audio Effects, Montreal, Canada
Flexer A, Gouyon F, DIXON SE et al. (2006) . Probabilistic Combination of Features for Music Classification. Conference: Proceedings of the 7th International Conference on Music Information Retrieval (ISMIR 2006), Victoria, BC111-114.
DIXON SE, Widmer G (2005) . MATCH: A Music Alignment Tool Chest. Conference: Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR 2005), London [Best Poster Award]
DIXON SE (2005) . An On-Line Time Warping Algorithm for Tracking Musical Performances. Editors: Kaelbling, LP, Saffiotti, A, Conference: Proceedings of the Nineteenth International Joint Conference on Artificial Intelligence (IJCAI-05) (Edinburgh, Scotland) from: 30/07/2005 to: 05/08/2005, 1727-1728.
Gouyon F, Dixon S (2005) . A review of automatic rhythm description systems.COMPUT MUSIC J vol. 29, (1) 34-54.
10.1162/comj.2005.29.1.34
DIXON SE (2005) . Audio Analysis Applications for Music.Encyclopedia of Information Science and Technology, Editors: Khosrow-Pour, M, Idea Group (Hershey PA),
DIXON SE (2005) . Live Tracking of Musical Performanes using On-Line Time Warping. Conference: Proceedings of the 8th Internaitonal Conference on Digital Audio Effects (DAFx05), Madrid, Spain
DIXON SE, Goebl W, Widmer G (2005) . The 'Air Worm': An Interface for Real-Time Manipulation of Expressive Music Performance. Conference: Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain614-617.
Widmer G, DIXON SE, Flexer A et al. (2005) . The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (OFAI), Vienna. Conference: Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain169-172.
Gouyon F, DIXON SE (2004) . Rhythm Classification: A Tempo-Based Approach. Conference: Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR'04), Barcelona, Spain501-504.
DIXON SE, Gouyon F, Widmer G (2004) . Towards Characterisation of Music via Rythmic Patterns. Conference: Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR'04), Barcelona, Spain
Gouyon F, Wack N, DIXON SE (2004) . An Open Source Tool for Semi-Automatic Rhythmic Annotation. Conference: Proceedings of the 7th International Conference on Digital Audio Effects (DAFx'04), Naples, Italy193-196.
DIXON SE (2004) . Analysis of Musical Content in Digital Audio.Computer Graphics and Multimedia: Applications, Problems and Solutions, Editors: DiMarco, J, Idea Group (Hershey PA),
Gouyon F, DIXON SE, Pampalk E et al. (2004) . Evaluating Rhythmic Descriptors for Musical Genre Classifcation. Conference: Proceedings of the AES 25th International Conference, Audio Engineering Scoiety, London196-204.
Pampalk E, Dixon S, Widmer G (2004) . Exploring music collections by browsing different views.COMPUT MUSIC J vol. 28, (2) 49-62.
10.1162/014892604323112248
DIXON SE (2003) . Tempo Induction, Beat Tracking and Rhythm-Based Music Classification. Conference: Institute for Operations Research and Management Science (INFORMS) Conference 19-22 October 2003, Atlanta, Georgia, USA [Invited]
DIXON SE, Pampalk E, Widmer G (2003) . Classification of Dance Music by Periodicity Patterns. Conference: Proceedings of the Fourth International Conference on Music Information Retrieval (ISMIR 2003), Baltimore, MD, USA
Pampalk E, DIXON SE, Widmer G (2003) . Exploring Music Collections by Browsing Different Views. Conference: Proceedings of the Fourth International Conference on Music Information Retrieval (ISMIR 2003), Baltimore, MD, USA201-208.
Widmer G, Dixon S, Goebl W et al. (2003) . In search of the Horowitz factor.AI MAG vol. 24, (3) 111-130.
Dixon S (2003) . On the analysis of musical expression in audio signals. STORAGE AND RETRIEVAL FOR MEDIA DATABASES 2003. Editors: Yeung, MM, Lienhart, RW, Li, CS, vol. 5021, 122-132.
10.1117/12.476314
Pampalk E, Dixon S, Widmer G (2003) . On the evaluation of perceptual similarity measures for music. DAFX-03: 6TH INTERNATIONAL CONFERENCE ON DIGITAL AUDIO EFFECTS, PROCEEDINGS. Editors: Davies, M, 7-12.
DIXON SE (2003) . Towards Automatic Analysis of Expressive Performance. Conference: Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM5), Hanover, Germany
DIXON SE, Goebl W (2002) . Pinpointing the Beat: Tapping to Expressive Preformances. Conference: Proceedings of the 7th International Conference on Music Perception and Cognition (ICMPC7), Sydney, Causal Production, Adelaide
DIXON SE, Goebl W, Widmer G (2002) . Real-time Tracking and Visualisation of Musical Expression. Conference: Proceedings of the 2nd International Conference on Music and Artifical Intelligence (ICMAI'02), Edinburgh, Scotland, Springer, Berlin58-68.
DIXON SE, Goebl W, Widmer G (2002) . The Performance Worm: Real Time Visualisation of Expression Based on Langer's Tempo-Loudness Animation. Conference: Proceedings of the 2002 International Computer Music Conference (ICMC'2002), Gothenburg, Sweden, edited by M Nordahl (International Computer Music Association, San Fransisco)
Goebl W, DIXON SE (2001) . Analysis of Tempo Classes in Performances of Mozart Sonatas. Conference: Proceedings of the 7th International Syymposium on Systematic and Comparative Musicology and the 3rd International Conference on Cognitive Musicology, Jyvaeskylae, Finland, 16-19 August 200165-76.
Cambouropoulos E, DIXON SE, Goebl W et al. (2001) . Human Preferences for Tempo Smoothness. Conference: Proceedings of the 7th International Symposium on Systematic and Comparative Musicology and the 3rd International Conference on Cognitive Musicology (Jyvaeskylae, Finland) from: 16/08/2001 to: 19/08/2001, 18-26.
Dixon S (2001) . Automatic extraction of tempo and beat from expressive performances.J NEW MUSIC RES vol. 30, (1) 39-58.
10.1076/jnmr.30.1.39.7119
DIXON SE (2001) . An Empirical Comparison of Tempo Trackers. Conference: 8th Brazilian Symposium on Computer Music, 21st Congress of the Brazilian Computer Society, 2001
DIXON SE (2001) . An Interactive Beat Tracking and Visualisation System. Conference: Proceedings of the International Computer Music Conference (ICMC'2001), La Habana, Cuba, edited by A. Schloss and R. Dannenberg, (International Computer Music Association, San Fransisco), 2001215-218.
DIXON SE, Goebl W, Cambouropoulos E (2001) . Beat Extraction from Expressive Musical Performances. Conference: 2001 Meeting of the Society for Music Perception and Cognition (SMPC2001), Kingston, Ontario, Canada
Widmer G, DIXON SE, Goebl W et al. (2001) . Empirical Music Performance Research: OeFAI's Position. Conference: MOSART Workshop on Current Research Directions in Computer Music, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain
DIXON SE (2001) . Learning to Detect Onsets of Acoustic Piano Tones. Conference: MOSART Workshop on Current Research Directions in Computer Music, edited by C L Buyoli and R Loureiro, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain
Dixon S, Cambouropoulos E (2000) . Beat tracking with musical knowledge. ECAI 2000: 14TH EUROPEAN CONFERENCE ON ARTIFICIAL INTELLIGENCE, PROCEEDINGS. Editors: Horn, W, vol. 54, 626-630.
WANG S, Ewert SEBASTIAN, Dixon SIMON. Identifying Missing and Extra Notes in Piano Recordings Using Score-Informed Dictionary Learning.IEEE/ACM Transactions on Audio, Speech and Language Processing
10.1109/TASLP.2017.2724203
http://qmro.qmul.ac.uk/xmlui/handle/123456789/24898
Kirchhoff H, Dixon S, Klapuri A. Multi-template shift-variant non-negative matrix deconvolution for semi-automatic music transcription. 13th International Conference on Music Information Retrieval (ISMIR). Conference: 13th Int. Society for Music Information Retrieval Conference (Porto, Portugal) from: 08/10/2012 to: 12/10/2012,
Tubb R, Klapuri A, Dixon S. The Wablet: Scanned synthesis on a multi-touch interface. Proc. of the 15 th Int. Conference on Digital Audio Effects (DAFx-12). Conference: International Conference on Digital Audio Effects (York, UK) from: 17/09/2012 to: 21/09/2012,
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