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Publications:  Dr Huw Marsh

MARSH HDJ(2019). Comedy. The Routledge Companion to Twenty-First Century Literary Fiction, Editors: Eaglestone, R, O'Gorman, D, Routledge (Abingdon),
MARSH HDJ(2018). Narrative unreliability and metarepresentation in Ian McEwan’s Atonement; or, why Robbie might be guilty and why nobody seems to notice. Textual Practice: an international journal of radical literary studies1325-1343.
10.1080/0950236X.2016.1276955
https://qmro.qmul.ac.uk/xmlui/handle/123456789/15047
MARSH HDJ(2015). B.S. Johnson and Post-War Literature: Possibilities of the Avant Garde. Textual Practice: an international journal of radical literary studies vol. 29, (6) 1203-1207.
10.1080/0950236X.2015.1064261
https://qmro.qmul.ac.uk/xmlui/handle/123456789/10450
Marsh HDJ(2014). Beryl Bainbridge. Northcote House (Tavistock),
MARSH HDJ(2014). From the 'other side': Mimicry and Feminist Rewriting in the Novels of Beryl Bainbridge. Identity and Form in Contemporary Literature, Routledge (New York),
MARSH HDJ(2013). Postwar British Literature and Postcolonial Studies by Graham MacPhee. Postcolonial Text vol. 8, (1)
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13835
Marsh H(2011). Adaptation of a murder/murder as adaptation: The Parker-Hulme case in Angela Carter's "The Christchurch Murder" and Peter Jackson's Heavenly creatures. Adaptation vol. 4, (2) 167-179.
10.1093/adaptation/apq017
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13160
Marsh HDJ(2011). Unlearning Empire: Penelope Lively’s Moon Tiger. End of Empire and the English Novel since 1945, Editors: Gilmour, R, Schwarz, B, Manchester University Press (Manchester),
Marsh HDJ(2010). Life’s nasty habit: time, death and intertextuality in Beryl Bainbridge’s An Awfully Big Adventure. Critical Engagements vol. 1, (2) Article 3, 85-110.
Marsh HDJ(2009). Nicola Barker's Darkmans and the 'vengeful tsunami of history'. Literary London (7)
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