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Publications:  Dr Andrew McPherson

Bin SMA, Bryan-Kinns N, McPherson A (2017) . Hands where we can see them! Investigating the impact of gesture size on audience perception. Conference: International Computer Music Conference (Shanghai, China) from: 16/10/2017 to: 20/10/2017,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/28483
BIN SMA, MORREALE F, BRYAN-KINNS N et al. (2017) . In-the-moment and beyond: Combining post-hoc and real time data for the study of audience perception of electronic music performance. Conference: ACM Interact 2017 (Mumbai, India) from: 25/09/2017 to: 29/09/2017,
10.1007/978-3-319-67744-6_18
http://qmro.qmul.ac.uk/xmlui/handle/123456789/28343
HARRISON JTF, McPherson AP (2017) . Adapting the Bass Guitar for One-Handed Playing.Journal of New Music Research
10.1080/09298215.2017.1340485
http://qmro.qmul.ac.uk/xmlui/handle/123456789/24726
Armitage J, Morreale F, McPherson A (2017) . "The finer the musician, the smaller the details": NIMEcraft under the microscope. http://www.nime.org/archives/. Conference: New Instruments for Musical Expression 2017 (Copenhagen, Denmark) from: 14/05/2017 to: 19/05/2017,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/22883
Morreale F, Moro G, Chamberlain A et al. (2017) . Building a Maker Community Around an Open Hardware Platform. Conference: ACM SIGCHI Conference on Human Factors in Computing Systems (CHI) (Denver, CO, USA) from: 06/05/2017 to: 11/05/2017,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/19132
Jack RH, Stockman T, McPherson A (2017) . Maintaining and constraining performer touch in the design of digital musical instruments. TEI 2017 - Proceedings of the 11th International Conference on Tangible, Embedded, and Embodied Interaction. 717-720.
10.1145/3024969.3025042
LIANG B, fazekas G, mcpherson A et al. (2016) . Classification of Piano Pedaling Techniques Using Gesture Data from a Non-Intrusive Measurement System. DMRN+11: Digital Music Research Network Workshop Proceedings 2016. Conference: DMRN+11: Digital Music Research Network One-day Workshop 2016 (Centre for Digital Music, Queen Mary University of London) from: 20/12/2016 to: 20/12/2016,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/19349
Jack RH, Stockman T, McPherson A (2016) . Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument. ACM International Conference Proceeding Series. vol. 04-06-October-2016, 116-123.
10.1145/2986416.2986428
McPherson AP, Jack RH, Moro G (2016) . Action-Sound Latency: Are Our Tools Fast Enough?. Conference: Proceedings of the International Conference on New Interfaces for Musical Expression, Brisbane, Queensland, Australia, July 11-15, 2016 (Griffith University, South Bank, Brisbane, Queensland, Australia) from: 11/07/2016 to: 15/07/2016,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/12479
MORO G, Bin A, Jack RH et al. (2016) . Making High-Performance Embedded Instruments with Bela and Pure Data. Conference: International Conference on Live Interfaces (University of Sussex) from: 29/06/2016 to: 03/07/2016,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/12653
MCPHERSON A, Chamberlain A, Hazzard A et al. (2016) . Designing for Exploratory Play with a Hackable Digital Musical Instrument. Conference: ACM Conference on Designing Interactive Systems (Brisbane, Australia)
10.1145/2901790.2901831
http://qmro.qmul.ac.uk/xmlui/handle/123456789/13068
Sulyok C, MCPHERSON A, Harte C (2016) . Evolving the process of a virtual composer.Natural Computing
10.1007/s11047-016-9561-6
http://qmro.qmul.ac.uk/xmlui/handle/123456789/12837
Jack R, Stockman T, McPherson A et al. (2016) . Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback. PROCEEDINGS OF THE TENTH ANNIVERSARY CONFERENCE ON TANGIBLE EMBEDDED AND EMBODIED INTERACTION (TEI16). 3-11.
10.1145/2839462.2839503
Heinrichs C, McPherson A, ACM (2016) . Performance-Led Design of Computationally Generated Audio for Interactive Applications. PROCEEDINGS OF THE TENTH ANNIVERSARY CONFERENCE ON TANGIBLE EMBEDDED AND EMBODIED INTERACTION (TEI16). 697-700.
10.1145/2839462.2854109
Pardue LS, Harte C, MCPHERSON A (2015) . A Low-Cost Real-Time Tracking System for Violin.Journal of New Music Research1-19.
10.1080/09298215.2015.1087575
MacRitchie J, MCPHERSON A (2015) . Integrating optical finger motion tracking with surface touch events.Frontiers in Psychology vol. 6, (702)
10.3389/fpsyg.2015.00702
Donovan L, MCPHERSON A (2015) . Active control of a string instrument bridge using the Posicast technique. Conference: 138th Audio Engineering Society Convention (Warsaw, Poland)
MCPHERSON A, Zappi V (2015) . An environment for submillisecond-latency audio and sensor processing on BeagleBone Black. Conference: 138th Audio Engineering Society Convention (Warsaw, Poland)
McPherson A (2015) . Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments.COMPUTER MUSIC JOURNAL vol. 39, (2) 28-46.
10.1162/COMJ_a_00297
http://qmro.qmul.ac.uk/xmlui/handle/123456789/10250
Zappi V, MCPHERSON A (2015) . Exposing the scaffolding of digital instruments with hardware-software feedback loops. Conference: New Interfaces for Musical Expression (Baton Rouge, USA)
Menzies DWH, MCPHERSON A (2015) . Highland piping ornament recognition using Dynamic Time Warping. Conference: New Interfaces for Musical Expression (Baton Rouge, USA)
Jack RH, MCPHERSON A, Stockman T (2015) . The design of tactile musical devices for the deaf. Conference: International Conference on the Multimodal Experience of Music (Sheffield, UK)
Reiss JD, McPherson A (2014) . Audio Effects: Theory, Implementation and Application.CRC Press
http://qmro.qmul.ac.uk/xmlui/handle/123456789/11476
Zappi V, MCPHERSON A (2014) . Design and use of a hackable digital instrument. Conference: International Conference on Live Interfaces (Lisbon, Portugal)
http://qmro.qmul.ac.uk/xmlui/handle/123456789/7204
Zappi V, MCPHERSON A (2014) . Dimensionality and appropriation in digital musical instrument design. Conference: New Interfaces for Musical Expression (London, UK)
Heinrichs C, MCPHERSON A, Farnell A (2014) . Human Performance of Computational Sound Models for Immersive Environments.The New Soundtrack vol. 4, (2) 139-155.
Topliss JW, Zappi V, MCPHERSON A (2014) . Latency Performance for Real-Time Audio on BeagleBone Black. Conference: Linux Audio Conference (Karlsruhe, Germany)
http://qmro.qmul.ac.uk/xmlui/handle/123456789/7205
Pardue L, Nian D, Harte C et al. (2014) . Low-latency audio pitch tracking: a multi-modal sensor-assisted approach. Conference: New Interfaces for Musical Expression
Heinrichs C, MCPHERSON A (2014) . Mapping and interaction strategies for performing environmental sound. Conference: IEEE VR Workshop on Sonic Interaction in Virtual Environments (SIVE)25-30.
Sokolovskis J, MCPHERSON A (2014) . Optical measurement of acoustic drum strike locations. Conference: New Interfaces for Musical Expression (London, UK)
Gábana Arellano D, MCPHERSON A (2014) . Radear: a tangible spinning music sequencer. Conference: New Interfaces for Musical Expression (London, UK)
MCPHERSON A, Donovan L (2014) . The talking guitar: headstock tracking and mapping strategies. Conference: New Interfaces for Musical Expression (London, UK)
Vetter L, Terrell MJ, Simpson AJR et al. (2013) . Estimation of overdrive in music signals. 134th Audio Engineering Society Convention 2013. 846-851.
HEDGES TW, MCPHERSON A (2013) . 3D Gestural Interaction with Harmonic Pitch Space. Conference: Proceedings of the 10th Sound and Music Computing Conference (SMC) (Stockholm) 103-108.
MENZIES DWH, MCPHERSON A (2013) . A Digital Bagpipe Chanter System to Assist in One-to-One Piping Tuition. Conference: Proceedings of the Stockholm Music Acoustics Conference (Stockholm) 440-445.
MCPHERSON A, Pardue L (2013) . Near-field optical reflectance sensing for violin bow tracking. Conference: New Interfaces for Musical Expression (Seoul, South Korea)
MCPHERSON A (2013) . Portable measurement and mapping of continuous piano gesture. Conference: New Interfaces for Musical Expression (Seoul, South Korea)
MCPHERSON A, Gierakowski A, Stark A (2013) . The space between the notes: adding expressive pitch control to the piano keyboard. Conference: ACM Conference on Human Factors in Computing Systems (CHI) (Paris, France)
10.1145/2470654.2481302
Heinrichs C, McPherson A (2012) . Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera. ISMAR 2012 - 11th IEEE International Symposium on Mixed and Augmented Reality 2012, Science and Technology Papers. 283-284.
10.1109/ISMAR.2012.6402575
MCPHERSON A, Kim YE (2012) . The problem of the second performer: building a community around an augmented piano.Computer Music Journal vol. 36, (4) 10-27.
MCPHERSON A, Kim Y (2011) . Design and applications of a multi-touch musical keyboard. Conference: 8th Sound and Music Computing Conference (Padova, Italy) from: 06/07/2011 to: 09/07/2011,
Dolhansky B, MCPHERSON A, Kim Y (2011) . Designing an expressive virtual percussion instrument. Conference: 8th Sound and Music Computing Conference (Padova, Italy) from: 06/07/2011 to: 09/07/2011,
MCPHERSON A, Kim Y (2011) . Multidimensional gesture sensing at the piano keyboard. Conference: ACM CHI Conference on Human Factors in Computing Systems (Vancouver, Canada) from: 07/05/2011 to: 12/05/2011, 2789-2798.
10.1145/1978942.1979355
MCPHERSON A, Kim Y (2010) . Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing. Conference: International Conference on New Interfaces for Musical Expression (Sydney, Australia) from: 15/06/2010 to: 18/06/2010, 217-222.
MCPHERSON A (2010) . The magnetic resonator piano: electronic augmentation of an acoustic grand piano.Journal of New Music Research vol. 39, (3) 189-202.
10.1080/09298211003695587
MCPHERSON A, Kim Y (2010) . Toward a computationally-enhanced acoustic grand piano. Conference: ACM CHI Conference on Human Factors in Computing Systems (Extended Abstracts) (Atlanta, USA) from: 10/04/2010 to: 15/04/2010, 4141-4146.
10.1145/1753846.1754116
HEINRICHS C, McPherson A. A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling. Proceedings of the 9th Sound and Music Computing Conference (SMC). Conference: 9th Sound and Music Computing Conference (Copenhagen) from: 11/07/2012 to: 14/07/2012, 277-283.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/4241
moro G, mcpherson A. APPROXIMATING NON-LINEAR INDUCTORS USING TIME-VARIANT LINEAR FILTERS. Conference: 18th International Conference on Digital Audio Effects
http://qmro.qmul.ac.uk/xmlui/handle/123456789/13072
Menzies DWH, MCPHERSON A. An electronic bagpipe chanter for automatic recognition of Highland piping ornamentation. Proceedings of the International Conference on New Interfaces for Musical Expression. Conference: New Interfaces for Musical Expression (Ann Arbor, MI, USA) from: 21/05/2012 to: 23/05/2012,
MORREALE F, Masu, R, MCPHERSON. Constraining Control in Mixed-Initiative Musical Interfaces. Conference: MICI 2017: CHI Workshop on Mixed-Initiative Creative Interfaces
http://qmro.qmul.ac.uk/xmlui/handle/123456789/25285
MORO G, MCPHERSON A, SANDLER M. Dynamic behaviour of the keyboard action on the Hammond organ and its perceptual significance.Journal of the Acoustical Society of America
10.1121/1.5003796
http://qmro.qmul.ac.uk/xmlui/handle/123456789/28574
MCPHERSON A, Kim YE. Piano technique as a case study in expressive gestural interaction.Music and Human-Computer Interaction, Editors: Holland, S, Wilkie, K, Mulholland, P, Seago, A et al., Springer
Burdiel E, Vetter L, Simpson A et al.. Real-time implementation of Glasberg & Moore’s loudness model for time-varying sounds. Proceedings of the 133rd AES Convention. Conference: 133rd Audio Engineering Society Convention (San Francisco, CA, USA) from: 26/10/2012 to: 29/10/2012,
HEINRICHS C, McPherson A. Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera. 2012 IEEE International Symposium on Mixed and Augmented Reality (ISMAR). Conference: International Symposium on Mixed and Augmented Reality (Atlanta) from: 05/11/2012 to: 08/11/2012, 283-284.
Bin SA, Bryan-Kinns N, MCPHERSON A. Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. Conference: New Interfaces for Musical Expression (Brisbane, Australia) from: 11/07/2016 to: 15/07/2016,
http://qmro.qmul.ac.uk/xmlui/handle/123456789/13067
MCPHERSON A. Techniques and circuits for electromagnetic instrument actuation. Proceedings of the International Conference on New Interfaces for Musical Expression. Conference: New Interfaces for Musical Expression (Ann Arbor, MI, USA) from: 21/05/2012 to: 23/05/2012,
Britt NC, Snyder J, MCPHERSON A. The EMvibe: an electromagnetically actuated vibraphone. Proceedings of the International Conference on New Interfaces for Musical Expression. Conference: New Interfaces for Musical Expression (Ann Arbor, MI, USA) from: 21/05/2012 to: 23/05/2012,
Snyder J, MCPHERSON A. The JD-1: an implementation of a hybrid keyboard/sequencer controller for analog synthesizers. Proceedings of the International Conference on New Interfaces for Musical Expression. Conference: 12th International Conference on New Interfaces for Musical Expression (Ann Arbor, MI, USA) from: 21/05/2012 to: 23/05/2012,
MCPHERSON A. TouchKeys: capacitive multi-touch sensing on a physical keyboard. Proceedings of the International Conference on New Interfaces for Musical Expression. Conference: New Interfaces for Musical Expression (Ann Arbor, MI, USA) from: 21/05/2012 to: 23/05/2012,
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